Yes — And You and I — makeitpersonal

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Hidden Song

[[Quotes by Jon Anderson, they can be found [here](http://www.musicradar.com/news/guitars/jon-anderson-talks-yes-close-to-the-edge-track-by-track-567900)]]

*I. Cord of Life*[[ 
>"And You And I was written in maybe five different sections, and then we put them all together. The idea was very straightforward at first. It was going to be a very pretty folk song that I wrote with Steve. Soon we decided that it was to be surrounded by very big themes."]]

*A man conceived a moment's answer to the dream*[[
>"A man conceived a moment's answers to the dream/ staying the flowers daily, sensing all the themes’ – I love singing this song on tour. In fact, I still sing it."
>"When we were writing in those days, it was ‘Here’s the verse, here’s the verse, we’ve gotta get from the verse to the bridge.’ We had to make the bridge very, very different. ‘And you and I climb over the sea to the valley, and you and I reached out for reasons to call’ – and then we’re going to hold that note, and the theme is going to come back in."
>"I would always record Rick when he was writing music. He was working on something at the time, and I said, ‘Let’s develop this theme.’ It felt really good.”]]
*Staying the flowers daily, sensing all the themes
As a foundation left to create the spiral aim
A movement regained and regarded both the same*
All complete in the sight of seeds of life with you

*Changed only for a sight of sound, the space agreed
Between the picture of time behind the face of need*
Coming quickly to terms of all expression laid
*Emotions revealed as the ocean maid
All complete in the sight of seeds of life with you*

Coins and crosses
(Turn round tailor, assaulting)
Never know their fruitless worth
(all the mornings of the interest shown,
presenting one another to the cord)
*Cords are broken
(All left dying, rediscovered
Of the door that turned round)*
Locked inside the mother Earth
(To close the cover, all the
interest shown)
They won't hide, hold, they won't tell you
(To turn one another, to the
sign at the time float your climb)
*Watching the world, watching all of the world
Watching us go by*

And you and I climb over the sea to the valley
And you and I reached out for reasons to call

*II. Eclipse*[[
>"You work on a solo section, and it gets to the point where you feel it’s finished, and maybe it’s time to get back to that part that we sang at the end of the second verse – and just double up on it. That’s how we brought this section back in."]]

*Coming quickly to terms of all expression laid
Emotions revealed as the ocean maid
As a movement regained and regarded both the same
All complete in the sight of seeds of life with you*

*III. The preacher, the teacher*[[
>“It goes to a totally different song and feel. Steve is a magical guitar player, and he could switch to a new style so easily. I said to him, ‘It’s got to be have a real country feel to it.’ He knew just what to do, and then Chris, one of the greatest melodic bassists ever, came in, and right there the song sat together so sweet."
>“We wrote this section in one afternoon, but it probably took about a week to put the whole piece of music for And You And I together.”]]

*Sad preacher nailed upon the coloured door of time
Insane teacher be there reminded of the rhyme
There'll be no mutant enemy we shall certify*
Political ends as sad remains will die
Reach out as forward tastes begin to enter you
Oooh, ooh

*I listened hard but could not see*
Life tempo change out and inside me
*The preacher trained in all to lose his name
The teacher travels, asking to be shown the same
In the end we'll agree, we'll accept, we'll immortalize
That the truth of man maturing in his eyes*
All complete in the sight of seeds of life with you

Coming quickly to terms of all expression laid
As a moment regained and regarded both the same
Emotion revealed as the ocean maid
A clearer future, morning, evening, nights with you

*IV. Apocalypse* [[
>“Nearly all of the music we ever made had one thought behind it: what will it sound like on stage? We liked to make records, but our main reason for doing what we did was to perform live, surrounded by a sound system and under the lights. "
>“I remember when we did And You And I at the Spectrum in Philadelphia for the first time. The whole room was so alive with the music we were making – it was really overwhelming – and when we were finished, the audience cheered and clapped for 15 minutes. I’m not kidding."
>“That’s what I think of when I remember the end moments of And You And I. It was one of those times in your life that you never forget.”]]

And you and I climb, crossing the shapes of the morning
*And you and I reach over the sun for the river*
And you and I climb, clearer towards the movement
And you and I called over valleys of endless seas

[1]

I. Cord of Life[2]

A man conceived a moment's answer to the dream[3]
Staying the flowers daily, sensing all the themes
As a foundation left to create the spiral aim
A movement regained and regarded both the same
All complete in the sight of seeds of life with you

Changed only for a sight of sound, the space agreed
Between the picture of time behind the face of need
Coming quickly to terms of all expression laid
Emotions revealed as the ocean maid
All complete in the sight of seeds of life with you

Coins and crosses
(Turn round tailor, assaulting)
Never know their fruitless worth
(all the mornings of the interest shown,
presenting one another to the cord)
Cords are broken
(All left dying, rediscovered
Of the door that turned round)
Locked inside the mother Earth
(To close the cover, all the
interest shown)
They won't hide, hold, they won't tell you
(To turn one another, to the
sign at the time float your climb)
Watching the world, watching all of the world
Watching us go by

And you and I climb over the sea to the valley
And you and I reached out for reasons to call

II. Eclipse[4]

Coming quickly to terms of all expression laid
Emotions revealed as the ocean maid
As a movement regained and regarded both the same
All complete in the sight of seeds of life with you

III. The preacher, the teacher[5]

Sad preacher nailed upon the coloured door of time
Insane teacher be there reminded of the rhyme
There'll be no mutant enemy we shall certify
Political ends as sad remains will die
Reach out as forward tastes begin to enter you
Oooh, ooh

I listened hard but could not see
Life tempo change out and inside me
The preacher trained in all to lose his name
The teacher travels, asking to be shown the same
In the end we'll agree, we'll accept, we'll immortalize
That the truth of man maturing in his eyes
All complete in the sight of seeds of life with you

Coming quickly to terms of all expression laid
As a moment regained and regarded both the same
Emotion revealed as the ocean maid
A clearer future, morning, evening, nights with you

IV. Apocalypse [6]

And you and I climb, crossing the shapes of the morning
And you and I reach over the sun for the river
And you and I climb, clearer towards the movement
And you and I called over valleys of endless seas

[1] Quotes by Jon Anderson, they can be found here

[2]

"And You And I was written in maybe five different sections, and then we put them all together. The idea was very straightforward at first. It was going to be a very pretty folk song that I wrote with Steve. Soon we decided that it was to be surrounded by very big themes."

[3]

"A man conceived a moment's answers to the dream/ staying the flowers daily, sensing all the themes’ – I love singing this song on tour. In fact, I still sing it." "When we were writing in those days, it was ‘Here’s the verse, here’s the verse, we’ve gotta get from the verse to the bridge.’ We had to make the bridge very, very different. ‘And you and I climb over the sea to the valley, and you and I reached out for reasons to call’ – and then we’re going to hold that note, and the theme is going to come back in." "I would always record Rick when he was writing music. He was working on something at the time, and I said, ‘Let’s develop this theme.’ It felt really good.”

[4]

"You work on a solo section, and it gets to the point where you feel it’s finished, and maybe it’s time to get back to that part that we sang at the end of the second verse – and just double up on it. That’s how we brought this section back in."

[5]

“It goes to a totally different song and feel. Steve is a magical guitar player, and he could switch to a new style so easily. I said to him, ‘It’s got to be have a real country feel to it.’ He knew just what to do, and then Chris, one of the greatest melodic bassists ever, came in, and right there the song sat together so sweet." “We wrote this section in one afternoon, but it probably took about a week to put the whole piece of music for And You And I together.”

[6]

“Nearly all of the music we ever made had one thought behind it: what will it sound like on stage? We liked to make records, but our main reason for doing what we did was to perform live, surrounded by a sound system and under the lights. " “I remember when we did And You And I at the Spectrum in Philadelphia for the first time. The whole room was so alive with the music we were making – it was really overwhelming – and when we were finished, the audience cheered and clapped for 15 minutes. I’m not kidding." “That’s what I think of when I remember the end moments of And You And I. It was one of those times in your life that you never forget.”

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